Resource Library Articles and Essays Indexed by Non-profit Art Academy, Association, Atelier or Society Name
When Resource Library publishes over time more than one article concerning a non-profit art academy, association, atelier or society, there is created as an additional resource for readers a sub-index page containing links to each Resource Library article or essay concerning that organization, plus available information on its location and other descriptive information.
See TFAO's Museums Explained to learn about the "inner workings" of art museums and the functions of staff members. In the exhibitions section find out how to get the most out of a museum visit. See definitions for a glossary of museum-related words used in articles.
To help you plan visits to institutions exhibiting American art when traveling see Sources of Articles Indexed by State within the United States.
Also see the Art Museum, Gallery and Art Center index
Academy of Art College (12/7/99) Eleventh in a series on America's centers of learning in traditional methods and styles in the visual arts.
Academy of Realist Art (Gage Academy of Art) (10/14/98) Fourth in a series on America's centers of learning in traditional methods and styles in the visual arts.
Aesthetic Realism Foundation - The Terrain Gallery (5/9/00)
American Academy of Arts & Letters (9/22/03)
American Academy of Equine Art (5/3/99)
American Plains Artists (10/8/02)
American Society of Classical Realism (10/27/98)
Arts Club of Washington (11/20/03)
Atelier du Nord: A School of Classical Realism (10/15/98) Seventh in a series on America's centers of learning in traditional methods and styles in the visual arts.
Atelier Indiana: The Atelier Experience; essay by Kerry Holsapple (10/15/98) Sixth in a series on America's centers of learning in traditional methods and styles in the visual arts.
Atelier School of Classical Realism (7/14/99) Eighth in a series on America's centers of learning in traditional methods and styles in the visual arts.
Atelier Studio Program of Fine Art (12/28/98) Ninth in a series on America's centers of learning in traditional methods and styles in the visual arts.
Bougie Studio / The Bougie Studio: Continuing a Long Tradition of Training Painters; essay by Peter Bougie (9/14/98) Second in a series on America's centers of learning in traditional methods and styles in the visual arts.
Brown County (WI) Historical Society (9/27/01)
Carmel Art Association (12/12/99)
Chocolate Church Arts Center (11/19/98)
Cleveland Artists Foundation (ARTneo) (8/6/09)
College Art Association (10/23/00)
Connecticut Impressionist Art Trail (10/3/00)
Cowboy Artists of America (10/12/99)
Drawing Academy of the Atlantic (8/10/99) Tenth in a series on America's centers of learning in traditional methods and styles in the visual arts.
East Meadow Public Library (3/1/99)
Frank Covino Academy of Art (10/14/98) Fifth in a series on America's centers of learning in traditional methods and styles in the visual arts.
Guild of Boston Artists (7/6/99)
Hennepin County Historical Society (9/28/01)
Historical Society of Old Newbury, Cushing House Museum (12/15/09)
Historical Society of Pennsylvania (1/24/03)
Indiana Historical Society (2/23/04)
Kansas State Historical Society (8/8/03)
Kentucky Historical Society (2/4/02)
Laguna Beach Festival of Arts (7/10/99)
Laguna Beach Plein Air Painters Association (9/21/99)
Lexington Art League (1/15/00)
Maryland Historical Society (`12/20/04)
Milwaukee County Historical Society (10/19/01)
National Oil and Acrylic Painters' Society (11/14/01)
National Park Academy of the Arts (12/28/99)
National Sculpture Society (8/6/03)
Nebraska State Historical Society (10/6/03)
New Mexico Miniature Arts Society (10/7/97)
New York Academy of Art (7/30/98) First in a series on America's centers of learning in traditional methods and styles in the visual arts.
North Shore Arts Association (8/17/99)
Ohio Arts Council Riffe Gallery (5/13/99)
Ohio Historical Society (5/19/05)
Oil Painters of America Representational (1/8/01)
Pastel Society of America (3/26/99)
Plein Air Painters of America (10/18/98)
Portsmouth Historical Society (3/28/16)
Providence Art Club (10/26/07)
Rockport Art Association (11/20/08)
San Diego Art Institute (8/12/98)
School of Representational Art (10/13/98) Third in a series on America's centers of learning in traditional methods and styles in the visual arts.
Skowhegan School of Painting (7/10/09)
Society for the Advancement of Plein Air Painting (3/29/05)
Society of Animal Artists (2/9/99)
Society of Egg Tempera (10/27/98)
Southold Historical Society (1/19/13)
Southwestern Watercolor Society (2007)
Taos Society of Artists (2002)
Trust for Museum Exhibitions (6/16/05)
Virginia Historical Society (2/10/09)
Western History Association (8/27/03)
Williamsburg Art & Historical Center (2/26/99)
Other online information:
For America: Paintings from the National Academy of Design is a 2020 exhibit at the New Mexico Museum of Art which says: "A remarkable selection of works by many major American artists is showcased across five exhibition sections, exploring a variety of historic themes: the origins of the Academy and the concomitant rise of the Hudson River School and American genre painting; the impact of contemporary European art and art education on the development of American painting; the Academy's nascent role in the early twentieth century as the purveyor of artistic tradition in the United States; how realism in its various incarnations remained a viable alternative to American abstraction; and the ways in which paintings from living National Academy members address contemporary concerns while harkening back to America's storied past." Accessed 4/21
The WGBH/Boston
Forum Network is an audio and video streaming web site dedicated to
curating and serving live and on-demand lectures, including a number of
videos on Art and Architecture. Partners include a number of Boston-area
museums, colleges, universities and other cultural organizations. Boston
Athenaeum partnered with the Forum Network for a series of lectures on American
art by David Dearinger, who is Susan Morse Hilles Curator of Paintings and
Sculpture at the Boston Athenaeum. An art historian and curator, he received
his Ph.D. from the Graduate Center of the City University of New York, with
a specialty in nineteenth-century American art. Titles included The Academy
and Art in America, (1 hour, 5 minutes) a lecture about the role of
the formal art academy in the development of American art and art criticism.
Return to Topics in American Representational
Art
TFAO catalogues:
American Representational Art links to dozens of topics in American Representational Art
Audio Online a catalogue of online streaming audio recordings
Collections of Historic American Art notable private collections
Distinguished Artists a national registry of historic artists
Geographic Tour of American Representational Art History a catalogue of articles and essays that describe the evolution of American art from the inception of the United States to WWII.
Illustrated Audio Online streaming online narrated slide shows
Articles and Essays Online substantive texts published outside of Resource Library
Videos Online a comprehensive catalogue of online full motion videos streamed free to viewers
Videos an authoritative guide to videos in VHS and DVD format
Books general reference books published on paper
Interactive media media in CD-ROM format
Magazines paper-published magazines and journals
Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.
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