(above: Boston Athenæum, photo, © 2004 John Hazeltine)
Founded in 1807, the Boston Athenæum is Boston's first cultural institution. It combines an art museum, with a public exhibition gallery and collections of paintings, sculpture, prints, drawings, photographs, and decorative arts; a leading research and membership library; and a civic forum including lectures, readings, panel discussions, and other events. An innovator and catalyst for more than two centuries, the Athenæum was one of the three founders of the Museum of Fine Arts, Boston, and the inspiration for the Boston Public Library, the first municipally supported library in North America.
The Athenæum's Proprietors and Members have included some of America's greatest literary figures, among them Herman Melville, Henry David Thoreau, Amy Lowell, and Nathaniel Hawthorne, and such leading politicians as Presidents John Quincy Adams and John Fitzgerald Kennedy and Senator Edward M. Kennedy. The Athenæum houses collections of international importance, among them about a third of the library of President George Washington, the largest portion in any library, and portrait busts of American patriots that belonged to President Thomas Jefferson.
The Boston Athenæum is located at 10 1/2 Beacon Street, Boston, MA 02108. Athenæum membership is open to all. For hours and admission fees please see the Athenæum's website.
The WGBH/Boston Forum Network is an audio and video streaming web site dedicated to curating and serving live and on-demand lectures, including a number of videos on Art and Architecture. Partners include a number of Boston-area museums, colleges, universities and other cultural organizations.
Boston Athenaeum partnered with the Forum Network for a series of lectures on American art by David Dearinger, who is Susan Morse Hilles Curator of Paintings and Sculpture at the Boston Athenaeum. An art historian and curator, he received his Ph.D. from the Graduate Center of the City University of New York, with a specialty in nineteenth-century American art. Titles include:
also from the Boston Athenaeum:
Google Book Searches conducted in 2008 and 2013 by Traditional Fine Arts Organization (TFAO) located the following brochures, catalogues and gallery guides published on paper in connection with the Museum and with a topic of American representational art. The list may not include all relevant publications. Titles are listed by date of publication, with most recent listed first. Information on publications may be in error or incomplete. Titles may be followed by links to related essays published by Resource Library. See Definitions for more information on finding brochures, catalogues and gallery guides using TFAO's website.
The following catalogues feature Google Books "snippet view":
The Athenæum Gallery, 1827-1873: The Boston Athenæum as an Early Patron of Art, By Mabel Munson Swan. Published 1940. The Boston Athenæum. Art. 312 pages. Original from the University of Wisconsin - Madison. Digitized Sep 12, 2007
The following catalogues do not feature Google Books' "full view" or "limited preview":
Power Line: The Art of Leo Dee, by David Bernard Dearinger, Leo Dee, Hina Hirayama, Boston Athenaeum, 2005 Leo Dee (1931-2004); essay by David B. Dearinger (4/11/05)
Artists and the Athenæum in the Early 19th Century, by Boston Athenaeum - Art, American - 1992. "September 3 through December 31, 1992."
Boston Lithography, 1825-1880: The Boston Athenæum Collection, by Sally Pierce, Catharina Slautterback - 1991
The Work of J. Gregory Wiggins, Woodcarver; Catalogue of an Exhibition, Held ..., by Boston Athenaeum - 1951. "Printed by the Anthoensen press, Portland, Maine."
Hewins's Journal: A Boston Portrait-painter Visits Italy; the Journal of ..., by Amasa Hewins -1931 - 145 pages
Book information courtesy of Google Books.
The potential for the essays in the above books to be placed online for free access by the public is of interest to TFAO. For information on digitizing initiatives from non profit organizations please see digitizing initiatives. Also please see commercial ventures. For information on two of TFAO's digitizing initiatives please click here for the Institutional Sources Study Project, here for the Collections-Centric Scholarly Texts Project, here for Resource Library's Scholarly texts services to Institutions, and here for TFAO's grant program for conversion of analog text to digital files and online publication of scholarly texts
Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. Traditional Fine Arts Organization, Inc. (TFAO) neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.
Why was this sub-index page prepared?
When Resource Library publishes over time more than one article concerning an institution, there is created as an additional resource for readers a sub-index page containing links to each Resource Library article or essay concerning that institution, plus available information on its location and other descriptive information.
Unless otherwise noted, all text and image materials relating to the above institutional source were provided by that source. Before reproducing or transmitting text or images please read Resource Library's user agreement.
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