Appraisals of Original
Art Objects
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While TFAO does not appraise art
objects, there are many resources for these services. Before considering
an appraisal we strongly suggest that you first read Authentication
and Evaluation of Paintings. While slanted towards paintings, its principles
are applicable to other kinds of artworks. Depending on the type of appraisal
that you need, there are various solutions. Tax appraisals, insurance appraisals
and sales appraisals may have dissimilar purposes and requirements -- and
yield different results. Before obtaining an appraisal decide on the use
for it and plan accordingly. Here is a referral list for your consideration,
plus other useful information:
Options:
1. Hire a fee appraiser. To find names, TFAO suggests that you first
contact a local art or history museum to find information on individuals
or companies near you who perform appraisals. Below is a partial list of
professional appraisal societies and other resources.
- American Society of Appraisers,
P. O. Box 17265, Washington, DC 20041, 1-800-272-8258; 1-703-733-2108.
- All disciplines, referrals given; regarding Fine Arts specialists who
are designated as Accredited Members or Accredited Senior Appraisers --
ASA has 113 such specialists. Appraisers who have a designation in Fine
Arts not only have to meet all the education and experience requirements
for achieving a personal property designation, but they undergo specific
testing in Fine Arts appraisal and their experience must be in that specialty.
To qualify for the Accredited Member designation (AM), an individual must
have at least two years of full-time appraisal experience and a college
degree or its equivalent. To qualify for the Accredited Senior Appraiser
designation (ASA), an individual must have a minimum of 5 years of full-time
appraisal experience and a college degree or its equivalent. ASA is an
international, not-for-profit, independent, multi discipline appraisal
organization that was established in 1936 and incorporated in 1952. The
society's purpose is to establish an effective profession-wide affiliation
working cooperatively to elevate the standards of the appraisal profession.
There are more than 6,000 ASA members in 88 chapters and branches located
throughout the United States and abroad. To read an article furnished by
the ASA which discusses tips on finding and evaluating appraisers, please click here.
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- Appraisers Association of
America, 386 Park Ave South, Suite 2000, New York, NY 10016, Ms. Helaine
Fendelman, President, 1-212-889-5404.
- Focus on personal property appraising, including fine art What Is An Appraisal? and How
to Find an Appraiser.
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- ArtBusiness.com A Web-based art
appraisal & research service
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- The International Society
of Appraisers A nationwide network of professional appraisers headquartered
at Riverview Plaza Office Park, 16040 Christensen Road, Suite 102 Seattle,
WA 98188-2965. Phone 1-206-241-0359
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- Many art dealers are experts on value and provide fee appraisals. Some
dealers are members of professional associations such as the Art
Dealers Association of America, Private
Art Dealers Association, Fine Art Dealers
Association, and the National Antique
& Art Dealers Association. In its web site, the Fine Art Dealers
Association says " Because evaluating an artwork demands thorough
knowledge of the artist's work, as well as the current market for both
public and private sales, it is imperative that a dealer has current working
knowledge derived from hands on experience. The ability of a dealer to
discern the subtle nuances that can differentiate a "6" from
a "10" comes from years of experience and study. " The Art
Dealers Association of America argues the advantage of retaining art dealers
for appraisals: "An art dealer's livelihood depends upon that dealer's
ability to make aesthetic and economic judgments about works of art. For
this reason, dealers are best qualified to make valuations of works of
art within their areas of specialization."
2. Take advantage of "appraisal days" at museums.
- "Appraisal days" are held annually by an increasing number
of art museums. For a nominal fee, usually in the area of $10, members
of the public may obtain verbal opinions on the value of objects of art
from experts. Call your local museum to learn where and when such an event
will take place. Or, your city may be on the tour of the popular Antiques
Roadshow sponsored by PBS.
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3. Obtain a free appraisal.
- Auction companies (see list of Auction Houses)
will often provide an auction estimate (appraisal) without charge based
on a photo and description sent to them. Estimates provided this way can
be a fairly rough gauge of auction value. Auction houses sometimes tend
to evaluate objects at the lower end of the value range so as to encourage
a sale. Lesser experienced evaluators at auction houses are often unaware
of the true value of works by important artists whose works have infrequently
been sold at auction. Prices estimated and paid at auctions are often considerably
less than retail prices charged at galleries -- many art galleries purchase
a large portion of their inventory at auctions. Markups of two to two and
one-half times from auction price to retail price are common. Christie's
and Sotheby's have information on how to buy at auction on their web sites.
When contacting an auction house bear in mind that it is often best to
choose an auction house that is located close to where the art was created,
not close to where the seller is located.
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- Get an offer from an art dealer. Dealers often sell art in inventory
for two times or more than what they pay for it. As a rule of thumb expect
that you will receive from a dealer about one half of what the dealer will
later sell the same art work for in the gallery.
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- Art museums do not appraise art works. An exception is "appraisal
days"noted above.
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4. Perform your own appraisal.
- Unless you are an expert is very difficult to estimate the value
of an original work of art although you may be able to determine if
the work has any likely value.
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- For a preliminary indication of value search for the artist on the
Web. Artcyclopedia provides
links to images of art work held in museum collections. The fact that a
museum has an image by an artist on the Web is a positive sign that the
artist's work may be of significant value. If you have a first name and
are not sure how the last name is spelled, search for the last name using
several guesses of the last name until you find a match with the first
name. Then look at several pictures of the artist's work to see if the
style of art matches. If the painting is not signed, you will need to do
more footwork to find out who painted the work. Look up the artist in Distinguished Artists. If an artist
is included in the list that is another indicator that the artists's work
may be of material value
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- There are online and paper-printed sources of auction results. A popular
online service is AskArt. They charge
a fee to view the auction prices for tens of thousands of American artists
and provide other interesting information on artists without charge. There
are also other online services that perform this service. Judging value
based on auction results is not as easy at it may seem. Many elements go
into arriving at a value. Over 30 of them are listed below.
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- Works by talented living artists may not have yet gone through auction
or be in museum collections. There are tens of thousands of capable artists
which will not be identified through the three sources listed above. In
those cases use of Web search engines may produce names of dealers who
sell the artist's works. The dealers can then be asked the prices of works
in inventory. The Web search may uncover a book or lecture mentioning the
artist; contact with the author can lead to identification of an expert
who may then comment on value.
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- If all of these steps fail to identify an artist there is a low probability
that a work by that artist is of significant value.
Appraisal factors: What factors do buyers and sellers consider
and what questions are asked when arriving at the value of a one-of-a-kind
painting or sculpture?
The following elements of
value are not listed in order of importance and are not all-inclusive.
About the artist
- How many articles and essays - in exhibition catalogues, other books,
news and publicity articles, and critical reviews - have been published
about the artist, in all media, by what authors, and when?
- What is or was the extent of the artist's participation in art colonies,
artists' associations and other art-related community organizations?
- Who were the artist's teachers and who were the artist's students,
and what degree of fame did members of each group reach?
- Where and when have there been museum exhibitions covering the work
of the artist and what is the trend?
- What are the credentials of the curators of exhibitions?
- What collectors and what museums own the artist's work?
- Which galleries sell the artist's work and what is their reputation?
- What professional designations and awards were earned by the artist
and how important are they?
- To what extent has the artist's work been sold at auction?
- Is the price trend for the artist up or down and is the price trend
for the class of subject matter (western genre, pop art, etc.) up or down?
- What are recent comparable sales for the size of the work, the subject
matter, the medium and other variables?
- What is the highest sale to date for the artist and what is the highest
sale per square inch for the artist?
- What is the price ranking of the artist relative to other artists?
- What percentage of a deceased artist's output remains in private hands
as an indicator of scarcity?
- If a living artist, what are the expected remaining years of productivity
of the artist, is the artist full-time or part-time and how many works
are produced each year and what is the trend?
About the object
- What is the medium (oil on canvas, watercolor) used for the work?
- What is the method of production (studio, plein air) of the work?
- If signed, what is the quality of the signature?
- If bronze, is there a foundry mark?
- Is the work dated?
- What is the size (height and width) of the art work?
- Are there gallery or framing stickers on the back? Is there anything
written on the back or on the artwork or mat?
- Is there a title to the work?
- How central is the work to the most sought after period and subject
matter of the artist?
- What is the quality of the frame, if any?
- What is the providence (history of ownership) of the work?
- Was the work held by a well-known collection and the ownership verifiable?
- What exhibitions are associated with the work and what are the credentials
of curators of the exhibitions?
- What is the condition (holes, tears or stains; pieces missing or broken,
wear on the patina) of the work?
- Has cleaning been performed and how has it affected the visual appeal
of the object?
- Is there evidence of repairs such as inpainting, lining or other restoration
of the object? Poorly conducted restoration can impair value more than
neglect.
- What certificates are available for the work concerning authenticity
and condition?
- What are the credentials of the authenticator?
- What written appraisals are available?
- What are the credentials of the appraiser?
Dunbier on Fine Art Valuation
In the column Fine Art Valuation
by Roger Dunbier, sometimes irreverent, provocative and always informative
Dr. Roger Dunbier speaks out on issues regarding the valuation of fine art:
Note to sellers: For resales of art objects,
there may be an obligation to pay to the artist a percentage of the sale
amount. If the appraisal is being made in contemplation of a sale, sellers
should consult with advisors familiar with state and federal laws. For an
article on this subject please see the Wall Street Journal's March
5, 2009 article titled "The Case of the $80 Royalty Check: a Mystery
for Patty Milich, Art Sleuth" by Sarah McBride.
The above names and addresses are provided only as referrals
for your further consideration. Please use due diligence in employing these
or other consultants or vendors. Traditional Fine Art Organization, Inc.
takes no responsibility for the accuracy of the information herein. Information
from the named firms may be inaccurate or out of date. Traditional Fine
Art Organization, Inc neither recommends or endorses the above referenced
organizations. Although Traditional Fine Art Organization, Inc. includes
links to other Internet sites, it takes no responsibility for the content
or information contained on those other sites, nor exerts any editorial
or other control over those other sites. For
more information on evaluating web pages see Traditional Fine Arts Organization,
Inc.'s General Resources section in Online Resources for Collectors
and Students of Art History.
TFAO's catalogues provide many more useful resources:
Search
Resource Library for thousands of articles and essays on American
art.
Copyright 2008 Traditional Fine Arts Organization, Inc., an Arizona nonprofit corporation. All rights
reserved.